Minggu, 05 Juni 2016

Thoughts on V Bottomed Hulls

There is a lot of prejudice about flat-bottomed hulls, even though ones of good design can make excellent boats. But in western culture there is a far greater acceptance of the V-bottomed hull-form. I guess it is just a case of what we are used to seeing - westerners are familiar with the V-bottomed form and see it as being quite normal, just as I imagine that Chinese and South-East Asian people would have little argument with the virtues of a flat-bottomed boat.

Flint showing her V-bottomed hull-form
More than anything, I believe that concerns about pounding prevent the wider acceptance of flat-bottomed hulls.

A good example of a flat-bottomed sailing hull - this one is a Green Island 15
Any light-weight boat will pound, but if well heeled over, a flat-bottomed hull will run softly because the sharp angle between the bottom and the topsides acts as a "V". But if the boat is upright pounding can be a real problem.

Ive designed a number of V-bottomed hulls, but my main reason for using this form has been to gain stiffness in the bottom panels. The V-bottom picks up stiffness because the bottom is broken into two halves, and the keel line is very stiff indeed due to the convexity of the bottom in two directions - somewhat similar to the strength in an eggshell, which would break easily if a flat panel, but is extremely strong for its weight when in a compound, convex shape.

That is me sanding the keel line of Flint. You can easily imagine how stiff the bottom is, even though it is made from 6mm (1/4") plywood. If it was a flat panel it would be very flexible if not supported by internal framing.
My primary concern with hard-chined hulls, regardless of whether they are flat-bottomed, V-bottomed, or multi-chined, is the matter of turbulence where the flow of water crosses the chine line. Without access to tank-testing or sophisticated Computational Fluid Dynamics (CFD) programs, my assessment of correct hull design for hard-chined forms has been based on intuition and common sense backed-up by insights Ive gained from the writings of the late Philip C. Bolger.

One method of reducing turbulence around the chine is to keep the chine out of the water altogether - both Jim Michalak and Phil Bolger have used this technique a number of times - but the problem with that is it generally works well only if the boat is a light displacement design intended to run on an even keel e.g. rowing boats and power boats.

When more displacement is required, I use a different approach. A good example for discussion is my Alby design, which is a short pram dinghy designed to be short, but able to carry a heavy load. She was designed for my friend, Allan Burke. In order to maximise the displacement (therefore increase the carrying capacity), I used a lot of keel rocker, and reduced the angle of the "V" in the bottom amidships to only about 3.5 degrees. However, in order to reduce pounding, I twisted the bottom panels to give a relatively sharp "V" at the waterline foreward and aft - 18 to 20 degrees of deadrise.


In the drawing above, you can see how the chine-line (drawn in red) sweeps down strongly from the bow and stern to the lowest point amidships. The resulting hull is almost flat-bottomed amidships but quite well Vd at the bow and stern. I could have made her totally flat in the middle, but I left enough "V" to give the "eggshell" stiffness of a convex shape.

Some people will tell you that running a chine deeply into the water will cause excess turbulence and drag, but that is only the case if the hull is incorrectly shaped in 3D. You must consider a boat shape in profile, plan and body plan (i.e. end elevation) to get some idea of how the water will flow.


Above you can see the same hull viewed in body-plan . See how the designed curve in the topside panels and the bottom panels has resulted in a clean and well-streamlined chine-line (drawn in red)?


Now look at the same hull heeled at 20 degrees. The chine-line is forming a beautiful "V" with very little to cause turbulence, or to hold the boat back. This is one of the primary reasons why a well-designed pram or scow can be so fast - particularly in flat water.

This may give a clearer idea of how well the shape will slip along with minimal turbulence.
The only way to achieve the same effect on a sharp-bowed boat is to run the chine very high at the bow. An excellent example of this approach is Jack Holts Mirror 16 design.

Mirror 16 showing chine-line. (courtesy Terence, Boatdesign.net)
In contrast, have a look at a hull with a hard chine and the chine-line left low at the bow - you can imagine how much turbulence and resistance would be generated by the chine (drawn in red) being forced forward through the water.



These are just my own thoughts, but Im sticking with them at this stage.
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Star 45 Construction Planking with edge glueing

[Star45] Update on planking bottom with edge glueing.

John Fisher is ready { 4/19/2007 } to glass his latest boat and is sharing how he planked it. His dad built a ply sided, cedar planked star using titebond II and it came out pretty light and stiff. With this information I started to build another hull using the same materials. He felt that edge gluing the planks added a lot of the strength to his boat. John didnt want to glue in extra wood to hold the pins to keep the planks in place for the glue to dry, so I combined two methods of planking. John liked the quickness of planking with CA and kicker, but it lacked stiffness when sanding the bottom before glassing. So he decided to edge glue the planks and then tack them in place to the frames with CA.

In this photo you can see where John put drops of CA on the planks. The wood is slightly darker.


It worked well. John has an edge glued bottom and he was able to plank it in one evening. To do this John first spray the frames with kicker, then apply titebond III to the edge of the planks. He then would hold the plank in place, tight against the previous plank, and apply a drop of CA to each frame to hold it in place. It did not matter where John started, bow, stern, or middle, but do make sure the CA has set up before moving to the next frame. Once the whole plank was in place he came back and wiped off the extra titebond. To fair the bottom to the sides he used a $10, 6" plane from home depot set at .010" depth of cut. It quickly removed the cedar and a little sanding finished the job.

John had one plank that was too thin that he had to remove, it was harder than expected. He had the use quite a bit of force to break the glue joint at each frame, so he is confident that this method is strong. John will also use this for balsa planked bottoms.

In photo # 10 you can see the stern still needs to be trimmed and sanded. John will probably use a saw to trim in close and then sand to fair it.
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Mary Mouse

Outside the marina at Haslar opposite Portsmouth is Light Vessel number One AKA Mary Mouse 2. She was the first light vessel to be commissioned by Trinity House after the Second World War, built by Phillips and Son Ltd in Dartmouth at a cost of £50,392. She was posted to various sites along the English Channel. Light vessels are not typically self-propelled so she was always towed to location regardless of weather.



She was manned with a Master and six crew on rotating shifts of four weeks on, two weeks off, and the crew would spend spare time radioing back weather reports to the Met Office and doing basic maintenance. Crew changes were by boat but later a helicopter pad was added to make crew replacement safer and easier.

In 1983 she was fully automated so was unmanned until her retirement as lightships were replaced by LANBY buoys.



Sold by Trinity House in 1993, John Dean and Richard Reddyhoff saved her from the scrap yard and had the vessel towed to Poole Quay for a head scratch and a think. Major modifications were carried out, including: a new lower deck amidships; addition of portholes, doors and windows; installation of shower cubicles; addition of bar, restaurant, galley, etc; marquee, and a colour change. Large pile guides were also added to anchor the vessel pontoon style on piles to the sea bed. LV1 was then renamed ‘Mary Mouse 2’ (after Mary Reddyhoff and Joanna ‘Mouse’ Dean)


Following the refit Mary Mouse 2 entered service at the Dean & Reddyhoff Haslar marina.

Length overall: 137,25 feet (ca. 41,80 m)

Length: 119 feet (ca. 36,30 m)
Beam: 25 feet (ca. 7,60 m)
Draught: 15 feet (ca. 4,50 m)
Displacement: 450 t

Authorities: Trinity House, London
Year of construction: 1946

Shipyard: Philip & Son Ltd., Dartmouth, England

Yard No.: 1133
Contract price: 50,392 GBP
Material: Steel

04.1945 Ordered by Trinity House, London

04.10.1946 Handed over

11/1946-12/1948 Royal Sovereign station

02/1949-05/1956 Tongue station

08/1956-06/1959 Outer Gabbard station

10/1959-01/1963 Tongue station

06/1963-06/1966 Smith´s Knoll station

09/1966-04/1967 Shambles station

08/1967-12/1967 Seven Stones station

03/1968-07/1968 Smith´s Knoll station

11/1968-03/1969 Shipwash station

05/1969-08/1969 Humber station

06/1970-10/1970 Royal Sovereign station

10/1970-03/1971 Galloper station

03/1971-08/1971 Owers station

11/1971-03/1972 Varne station

08/1972-11/1972 Shipwash station

05/1974-09/1974 Cross Sand station

09/1974-01/1975 Dudgeon station

02/1975-06/1975 Humber station

06/1975-11/1975 Outer Gabbard station

11/1975-03/1976 Tongue station

06/1976-04/1983 East Goodwin station

04/1985-04/1988 Tongue station

06/1989-10/1991 Dowsing station

1993 decommissioned
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Solent Scow

The Solent Scow dates back to around Edwardian times, the story goes that local Lymington sailor Captain Nicholson found that his west country built pram dinghy wasnt suited to the choppy conditions of the Solent and around 1912 asked local boat builder Dan Bran to build what is in effect a sharp nosed pram dinghy.

The boat gained popularity in the 1920s and 30s becoming known as the Scow with clubs racing the boats in nearby Yarmouth, Beaulieu and further a field Hamble and Portsmouth each fleet with minor variations.

Several builders offered the Scow including the Berthon Yard in Lymington which built hundreds.

During the 1950s Scows were still being raced and used as yacht tenders, but as clinker boat building became less cost effective the design was revived in GRP.

Up until 1985 the Scow was used for junior racing in Lymington, but by that time the moulds werent up to scratch, so local builder John Claridge was asked to build a revised Scow making it a better all around dinghy for racing and training.



The Scow today is also built by Flight Marine and there are fleets at boths end of the Solent sailing from Chichester, Bembride, Yarmouth, Lymington and Keyhaven.

Pictures here are the Yarmouth fleet sailing on the upper reaches of the River Yar on the Isle of Wight.


LOA 11 4"
Beam 411"
Sail Area
Main 84 Sq ft
Jib 12 Sq ft

Weight 220lbs
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Opera Class

To the south west of Liverpool, the Wirral peninsular forms the northern shore of the estuary to the River Dee. The unique geography created a deep water sea-lake, the Hoyle Lake around which were established fishing communities and safe havens in the protected waters was far back as Roman times.

The Hoylake Sailing Club was established in 1887, in response to the silting up of the river and channel at the turn of the twentieth century the members decided to adopt a shallow draft boat which was suitable for the area. The boat they chose became the Opera Class, a 16 foot gaff rigged clinker boat, based on a design by club member Captain Winchester and built locally by another club member and boat builder Alex Latta.



The first race of the Opera Class took place in 1902 and boat numbers quickly grew to 17. The class celebrated its centenary in 2002 with 14 of the original boats still racing at Holylake Sailing Club, another boat "La Poupee" is on display at the Merseyside Maritime Museum.



In 1909 one of the class "Orchid" made a voyage to Ardrossan, in Ayrshire, Scotland and then acros the Irish sea to Ballycastle in Northern Ireland, a remarkable voyage for a 16 foot open boat.



All the photographs are kindly provided by John Hughes who sails his Opera Class Iolanthe, named after the operetta by Gilbert and Sullivan.


Opera Class boats at Hoylake Sailing Club

1: Fidelio
2: Aida
4: Valkyrie
5: Country Girl
6: La Poupee
7: Princess Ida
8: Geisha
9: Carmen
10: Orchid
11: La Boheme
12: Betty
13: La Tosca
14: Silvana
16: Iolanthe
17: La Gioconda
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Black Cat Launch Video

In November 1997 we launched our Didi 38 "Black Cat" after 2 years of building, only 2000 hours for an amateur-built ocean-crossing sailboat. That boat launched a whole series of designs and new developments in plywood boat construction.

That was 20 years ago. I had video of the occasion that was recorded off the TV with a VCR. It was bad quality and it was recorded on the PAL system used in South Africa. Attempts to convert to the NTSC format used in USA were pretty disastrous, resulting in unusable files.

Today I have received a good copy of the video, in a usable format. Watching the video now reminds me just how long ago this all happened. I didnt even have much grey hair then, now it is totally silver.
This video shows the shape of "Black Cat" very clearly. So many people came to me at that time and would not believe that this beautifully rounded shape was a plywood boat. Nobody had seen a rounded plywood hull before and they would only believe that it was not fibreglass after going inside to look at the structure.

Now my radius chine plywood designs are well-known and have been built in many countries. "Black Cat" is no longer unique but she remains the leader of an exciting time for plywood boatbuilding.

To see more of our boat designs, visit http://dixdesign.com/ or http://dixdesign.com/mobile
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New Video of Phoenix III

This video was shot last Tuesday by Paul Hernes, using a camera mount above the transom of his Phoenix III. The conditions were quite light, and Paul was doing a good job of harassing Rich Sutton in his Welsford Navigator until a channel marker got in the way.


 Paul was using a Joel White Poohduck Skiff rig on his boat. As far as Im aware, Paul has three separate rigs for Phoenix III, and uses them interchangeably, as was the idea when I drew the multiple rig arrangement for the design.





Here is a photo of Pauls experimental Poohduck Skiff rig. The sail area is small, but Paul is a light-weight and he seems to like the rig.

The original Poohduck Skiff built by Rick Sutton...

...and the same rig set on Pauls Phoenix III
Phoenix III is a versatile boat, and being relatively small, experimenting with rigs costs very little.
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